David Brodie’s award-winning work spans the documentary, film, commercial, virtual reality, and music video fields.  Originally from Kansas City, David started editing on the East Coast before moving to Los Angeles in 2007. His work is notable for its use of mixed-format and repurposed footage, including the Academy Award-nominated documentary The Witness: From the Balcony of Room 306.  In 2009 David received an Emmy Award for editing Errol Morris’s Survivors film.

His documentary projects include Selena Gomez: My Mind and Me for Apple+ and Alek Keshishian, as well as Struggle: The Life and Lost Art of Szukalski for Netflix and Appian Way, and contributing to Netflix's Jennifer Lopez: Halftime. David also edited and designed the title sequences for the Hunter S. Thompson documentary, Freak Power: The Ballot or the Bomb, and for Garret Bradley’s Noami Osaka series.

These projects have branched into directing jobs for clients like Subaru, Activision, and Riot Games, as well as the film Emic, produced to promote Christopher Nolan’s film Interstellar. 

He has collaborated with directors like Garrett Bradley, Alek Keshishian, Antoine Fuqua, Jake Scott, Henrik Hansen, Rick Famuyiwa, Albert Hughes, Patrick Clair, Michael Muller, Malik Sayeed, Paul Mitchell, Mike Mills, Ben Mor, Floyd Russ, Michael Lawrence, and Malcom Venville, to name a few.  His noteworthy commercials include work for Under Armour, Budweiser, Google, Facebook, Nike, Apple, Reebok, VW, Target, and a host of other brands.  His music video works include pieces for Katy Perry, U2, Coldplay, The Black Eyed Peas, and Massive Attack. He’s cut trailers for Davie Fincher’s The Curious Case of Benjamin Button and Zack Snyder’s original Justice League.